In addition to the adjustment of spacing, there are also adjustments in the design. The kerning tables, as well, have been individualized for each of these type varieties. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. That of the Bodytypes is adjusted for readability. The most obvious differentiation can be found in the spacing. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. Rotis is suitable for just about any use: book text, documentation, business reports, business correspondence, magazines, newspapers, posters, advertisements, multimedia, and corporate design. He named Rotis after the small village in southern German where he lives. Aicher is a long-time teacher of design and has many years of practical experience as a graphic designer. Rotis is easily identifiable in all its styles by the cap C and lowercase c and e: note the hooked tops, serifless bottoms, and underslung body curves. But Rotis was based on those principles, and has proven itself not only highly legible, but also remarkably successful on a wide scale. Traditionalists felt that discarding serifs from some forms and giving unusual curves and edges to others might be something new, but not something better. The blending of sans with serif was almost revolutionary when Aicher first started working on the idea. This highly rationalized yet intriguing type is seen everywhere, from book text to billboards. Designed by Otl Aicher for Agfa in 1989, Rotis has become something of a European zeitgeist. The four families have similar weights, heights and proportions though the Sans is primarily monotone, the Semi Sans has swelling strokes, the Semi Serif has just a few serifs, and the Serif has serifs and strokes with mostly vertical axes. Rotis is a comprehensive family group with Sans Serif, Semi Sans, Serif, and Semi Serif styles, for a total of 17 weights including italics. Fonts are available in regular, italic, bold, and bold italic styles. Arabetic Sans Serif family includes both Arabic and Arabic-Indic numerals all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Keying it before Alif Lam Lam Ha will display the Allah ligature. Keying it before any glyph will display that glyph’s isolated form. Tatweel (or Kashida) glyph is a zero width space. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Arabetic Sans Serif employs variable x-height values. It has only one glyph for every basic Arabic Unicode character or letter as defined in Unicode Standards version 5.1. The "Included with" column indicates the first edition of Windows in which the font was included.The Arabetic Sans Serif type family follows the guidelines of the Mutamathil type style but also illustrates the effects of adding and removing Latin-like serifs on Arabetic scripts legibility. Typefaces only shipped with Microsoft Office or other Microsoft applications are not included. This is a list of typefaces shipped with Windows 3.1x through Windows 11.
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